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In one interview in particular, he even seems harmless: “Everyone thinks about dark shit, why when somebody fuckin’ says it is it such a big deal, you know?” His jokes about rape, he says, are supposed to be “a storyline.” “I’m writing this song from the mind of some fuckin’ serial killer from thirty years ago who’s a white male. I don’t think Tyler, the Creator is actually a bad guy. In any interview I have watched of him, such as this one in Interview magazine, Tyler drops the f-bomb like it’s his job. His Twitter account is drenched in homophobic slurs such as “faggot” and “gay” (as an adjective). It’s not just his lyrics – it’s his personality, too. Once again I gotta punch a bitch in her shitīecause if you do, I might blind you bitch Consider these telling lyrics from his eloquently titled “Bitch Suck Dick:”īeat your bitch in her mouth just for talkin’ shit
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is in /?And stab Bruno Mars in his goddamn esophagus.” And while at times the hipsters of the world agree that auto-tuning and Top-40 jams are killing music as we know it, his overtly aggressive lyric – featured in the song that earned Tyler an MTV award in the first place – is deemed by the industry to be so raw and real that we should be praising his free speech, not demonizing it. His lyrics are at time cringe-worthy, with rhymes like “ I’ll crash that fucking airplane that that fucking nigga B.o.B. And when he’s not making a joke about killing himself, he’s rapping from a perspective of a rapist, or making jokes about rape and domestic violence in general. The industry can’t seem to get enough of his edginess, dripping with violent homophobic and misogynistic lyrics. That seems to be the argument of many music reviewers, at least. “Although these lyrics are violent, that’s the point,” says Olivia Sledzik of The Blue and Grey. What MTV (and what seems like a majority of the hip music critics out there) fails to find fault in is Tyler’s sickeningly violent persona steeped in his lyrics – which many in the industry praise obscenely for being so innovative and creative. I appreciate how real his music sounds without industry frills or needing a Nicki Minaj verse or two to get people to listen.
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His overall sound is reminiscent of good old-school hip-hop, with no auto-tuning. But for many of us, his fame really came into light when he won MTV’s Best New Artist for his song “Yonkers.” It’s cooler than cool to think of Tyler as the next great visionary, with provocative lyrics and a sound unlike anything else.Īnd before I start: yes, I “get” it. If you’re a 16-year-old white male or particularly engaged in the indier-than-thou music world, you’ve known about Tyler’s unique, offensive, and brutish style since his self-released album Bastard. As I was perusing the top countdowns (from Pitchfork to MTV), I noticed one disturbing trend: Tyler, the Creator in the top spots.Īlthough not always #1, the loud-mouthed leader of OFWGKTA made serious waves this year with the release of his album Goblin. One of the reasons why I love this time of year is watching every music elitist out there sum up the best of 2011 with their own appraisal of new music that graced the year.